About the ArtistUsing traditional techniques
of the Old Masters, rich oil colors, strong composition, and skillful
brushwork, Delmus Phelps produces
paintings of universal appeal.
Being influenced by his family, Delmus has studied
art since high school. In the early 70's he won the Virginia Wildlife
Conservation Poster Contest, and also had his work selected for his school's
senior yearbook cover. Delmus continued his training under the tutelage of the
late Howard Coleman, studying at the studios of the Lynchburg Art Club on
"Art has always been a focus within my
life. It has been a great passion that never seems to fade. Because
of this, I continually pursue, explore and create my paintings." Delmus
explains further, "in the words of this country's greatest sculptor,
Frederick Hart,
...art has a moral responsibility, that it must pursue something higher than
itself. Art must be a part of life. It must exist in the domain
of the common man. It must be an enriching, enabling and vital partner in
the public pursuit of civilization. It should be a majestic presence in
everyday life just as it was in the past."
Being comfortable with the landscape and the
still life enables Delmus a great amount of freedom in selecting subject
matter. Within his landscapes there is a softness, warmth and glow that
exude a peace and serenity much needed in our hectic lifestyles of today.
His still life's are simply a relaxing pleasure of balance and beauty A
melody of shades, colors, and design. Upon closer inspection there are
plenty of details, shadow play and dramatic lighting effects to keep the
viewer's interest. Delmus uses a 17th Century Flemish Master technique as
taught by Alexei Antonov, a Classical Russian Master. It is this optical
mixture of seven layers that gives Delmus's paintings a particular
freshness. As you can see in the museums, this technique has passed the
test of time, which will allow the patron to enjoy the paintings for
generations to come.
Delmus presently resides in
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